For artist Margaret Elliott, life is like a squiggly line. “I think it’s a little unexpected,” she says of her signature decorative accoutrement, which tends to appear via a drag of a thin brush on the majority of her paintings. It’s a warm, early fall day in Nashville, and Elliott, sipping an iced Americano on the patio of the Frothy Monkey in the 12 South Neighborhood, is offering up a little of her artistic—and life—philosophy.
“If you translate that into life, we think that things should be ‘this way’—you have to have a plan—but then for whatever reason, life takes different turns, and there’s something unexpected, and I like that. It’s more about the process than getting there sometimes.”
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