July 2017

WORDS Éva Boros


So . . . what do you think of Nashville?

Nashville is a great place and from what I gather has some powerful momentum in the arts and culture. I’ve enjoyed being here, but mostly my focus has been on the area of the Nations and West Nashville. I like to focus on a community in the content of the mural and also lifestyle while I’m working in a place, so I have mostly stayed local, worked and spent my time in the neighborhood while I’ve been here.

Seen any cool art while here?

I have seen some great mural works downtown also facilitated by Nashville Walls Project but mostly have just been working and focused on my task at hand.

Can you tell me about Mr. Estes, the gentleman you painted on the silo?

It is important for me and my process to reflect a community’s character in my work, and through this aim I engage in a process of discovering and learning about a place through community engagement and consultation.

Mr. Estes has been part of this group for many years. To me he stands symbolic against the inevitable tide of gentrification. This is an issue that in some cases has left the underprivileged in worse positions, as developers and real estate agents move to capitalize on the Nashville housing boom.

I find the relationship between murals and gentrification conflicting, and in this work there is this conflicting yet harmonious composite of the two sides of social change. There is juxtaposition between a mural that discusses and commemorates the blue-collar demographic while at the same time being a powerful part of the change in the area. This is a dialogue and talking point that I hope this mural can create.

And the kids?

I feel it’s important to try to give something back to young people while working on my projects, including them in the process in some way. The composition of Mr. Estes and the children is intended to push the idea that this mural stands not for a single individual but the community as a whole.

What’s next?

I will be working on a few projects around internationally and hopefully more in the USA in the future. Over the next few months I plan to work in Finland, Europe, and India before returning to Australia later this year.

Silos on 51st Avenue N. in The Nations

When did you start painting graffiti? How long have you been painting murals?

I’ve been practicing murals with aerosol since I was probably about 14 years old. My first piece was on the train tracks in Melbourne, Australia, which me and a couple of friends did in broad daylight with bucket paint and cheap spray cans from the two-dollar shop. Since then it has been a progression of different styles that has brought me to this point in my career.

For more information, visit www.nashvillewallsproject.com.


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